Rethinking Reverb at the Immersive Music Mix

Now that producers and engineers have gained a few years of experience mixing immersive music, they’re developing creative new ways to apply reverb—as well as delay, limiting, compression, EQ—throughout the 3D space. Sometimes on individual objects and other times across full groups. Traveling front to back with an instrument or ascending to the height channels when the guitar solo hits its peak. Of course, there can be challenges with a fold-down to stereo, but the opportunities can far outweigh the risks. In this special presentation, top Nashville mix engineers reveal the many creative ways they’ve learned to play with effects when mixing immersive music.

Panelists: